Speaking of the Big Three, it is almost a household name in the photographic circle, and it is also a battleground for all major manufacturers. Almost every big three yuan, has poured the highest level of manufacturer's optical design. Everyone knows that he is expensive, but he does not know that he is not a cow. Is it worthwhile? It was worth buying, and it was discovered that in February, when it was released, it was not even a single evaluation. ? Well, I'm stupid, let me add something worthy of the weaponry.
Sony (SONY) full-frame telephoto zoom G master lens FE70-200mm F2.8 GM OSS (SEL70200GM) black 18299 yuan Jingdong to buy 
1, photo mirror.
Recently, a lot of friends asked me how to choose FE85 F1.4GM and FE 70-200mm F2.8 GM OSS. It is indeed a very tangled issue. With regard to the ability to talk about virtualisation and image quality, FE 70-200mm F2.8 GM OSS will not lose FE85 F1.4GM. Coupled with the focus speed, zoom convenience, FE 70-200mm F2.8 size lens is a lot of photographers, especially one of the wedding photographer photo lens. Therefore, FE 70-200mm F2.8 GM OSS is even more convenient than FE85 F1.4GM when it comes to shooting pictures, especially when the outdoors are playing.
Whether half-blurred close-up.
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/200S F2.8 ISO800 200mm
Or a full-body portrait.
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/400S F2.8 ISO100 85mm
The 70-200mm telephoto focal length is commonly used for shooting focal lengths, and with a large aperture of F2.8, the composition of the FE 70-200mm F2.8 GM OSS is very convenient. Unlike 24-70mm, the 70-200 doesn't have a wide-angle end, and the perspective distortion between 70-200 is extremely small, making it particularly suitable for taking some particularly neat pictures.
Whether you want to be closer or farther, it's good to move the zoom ring.
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F8 ISO125 70mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/200S F2.8 ISO125 124mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F8 ISO100 200mm
Is it true that FE 70-200mm F2.8 GM OSS far outperforms FE85 F1.4GM in terms of photorealism? The answer is obviously negative. The so-called surgery industry specializing in, even if the zoom is convenient, focusing speed, FE85 F1.4GM is still his good place. For example, the advantages of 1.4 large apertures in night portraits, as well as relatively small weight and cheap prices.
2, the speed of the mirror.FE 70-200mm F2.8 GM OSS At the beginning of the release, the lens' motor was a big selling point, so official propaganda has been stressing how fast this lens is. But actually, when I first got this lens, I was not satisfied with its focusing performance. At that time, the body was A7R2. However, after the A9 was recently replaced, and the body firmware (1.02 version) and lens firmware (0.2 version) were updated, the FE 70-200mm F2.8 GM OSS had a reborn performance.
How strong is it?
This is my son's motion capture while playing the trampoline, FE 70-200mm F2.8 GM OSS through the eye focus function, you can easily focus directly to the eyes! You know, this is a close-up shot of 200mm focal length, 2.8 aperture wide open, shallow depth of field, I believe I need not say more.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/20S F6.3 ISO100 70m
In the past, in the face of such a situation, I basically gave up. But on the A9, vertical motion can also be easily snapped. Please note that my word is "easily" snapping. Take a look at the GIF.
An excerpt of the best moment.
Prompt, jump, roll. When Peking opera Otaru rolled to the highest point, I began continuous shooting, electronic shutter, continuous shooting speed of MID (10 pictures/second), a total of 19 shots, only one failed to coke, the success rate of 94.73%. Provide the download address of this series of continuous shots for readers to review.
Continuous shooting links
The above shots are all single shots. Can you lock the target when there are many people? Let's look at a set of example GIFs.
Although other disturbing characters appear constantly on the screen, the focus can still be firmly locked on the shirtless running man. I used the electronic shutter and shot a total of 25 shots at a continuous shooting speed of 10 frames per second (MID). The focal rate was still as high as 100%. Original link
But don't forget to set the AF tracking sensitivity to 1 lock.
What is the performance of the FE 70-200mm F2.8 GM OSS in the low-light flash mode?
First introduce the protagonist of this section, Thai Boxing Sensata. Height 4575px, weight 70kg. WMC 67 kg world champion, debuted a total of 115 games, winning 100 games, 5 games, winning 87%. Before taking this group of photos, Sensata has just won the World Boxing Council's WBC championship belt, which is very strong and unstoppable.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F2.8 ISO100 82mm
The active Thai boxing champion, how fast his punches are, everyone can imagine. Wanting to capture his extremely fast punches, of course, also requires extremely fast equipment.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F4.0 ISO100 70mm
Muay Thai's whip leg is also a must, the speed is very, very fast, lightning fast, and unstoppable.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F4.0 ISO100 70mm
Is not even leg hair clearly visible. FE 70-200mm F2.8 GM OSS's focus performance is evident, but this is not finished, there are even more powerful! Eye catching focus.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F2.8 ISO100 126mm
126mm focal length, 2.8 aperture, half body photo, depth of field is very shallow. Flash front curtain synchronization, with a 1/10S slow shutter solidified punching trajectory, eye tracking focus can also firmly hold his eyes. In the past, such photographs were taken as long as the focus could hit the person. I was satisfied with whatever point, but the SONY A9 optimised eye tracking, with FE 70-200mm F2.8 GMOSS Lens makes everything too easy.
Knowledge point: Unlike the continuous output of natural light, the flash output time is very short, about 1/1000S (different flash, instantaneous output time is not the same). But is the 1/10S exposure time too long to light up at the beginning of the exposure and to light up at the end of the exposure. Is this a problem? It is the so-called front-curtain synchronization, or the choice of rear-curtain synchronization. Since I was shooting the instant that the boxing champion punched, within this 1/10s, the entire boxing team is in motion, so only the moment of exposure is accurate. So be sure to use the front-curtain sync to shoot, otherwise every photo must be out of focus.
It is worth mentioning that in the SONY A9 eye focus in addition to focusing speed than in the past, even the recognition rate is much higher than the original. Even the face covered by the glove can easily recognize the eyes and perform continuous focusing.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F2.8 ISO100 200mm
Recently received a photo shoot of Peking Opera "White Snake". Frankly speaking, I was shooting the subject for the first time, and my heart was still somewhat embarrassing. An old photographer at the scene told me that under such stage lighting, the restoration of color is very difficult and the demand for white balance is very high.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/1000S F2.8 ISO400 174mm
However, the actual shooting does not seem so difficult. Presumably because the white balance algorithm of SONY A9 is very accurate, even under the complicated lighting conditions of this stage, it can still restore the skin color accurately.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/800S F2.8 ISO320 200mm
During the entire shoot, I used the automatic white balance, AWB priority settings, and selected the standard. Ordinary settings. Only a bit of personality, probably the creative style selected vivid, white balance drift B0.5, M0.5. This color will appear bright, and the skin will be pinker.
However, remember to remember to turn on face recognition. This white balance algorithm will be based on the face, rather than the entire complex environment.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/800S F2.8 ISO500 200mm
The experience is not enough, the equipment comes together. Because you don't know much about Beijing Opera, it is difficult to grasp the best timing for shooting. So simply focus on the lock, no brain continuous shooting, home and then slowly pick the photo.
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/800S F4.5 ISO320 130mm
5, mild lateOver the years, Sony has become a dark horse in the photography industry. But for the color processing, it has not been able to capture the user's confidence. In particular, a large part of the film era, has been accustomed to the manufacturers to provide color schemes for users, Sony's color processing, is a big weakness.
But with the release of the A9 and the master lens, Sony has begun to show its own unique color processing style. Perhaps it is still not amazing enough, but it is more solid. how to say? To this FE 70-200mm F2.8 GM OSS, compared to the previous FE 70-200mmF4 G OSS, 720GM has been out of the digital gray trouble, color is heavy but not exaggerated. If it is true, the 720GM must not be photographed. It is even more beautiful than the picture seen by the naked eye. With very high availability.
Of course, for professional photographers, it is not enough just to go straight to such a level. Still need to make up for it later. However, there is no need to make any big changes to the colors. Only a slight adjustment is needed to get very satisfactory results.
The photos in this article are numerous and complicated. I hope that it will not cause problems for everyone. It is mainly to think about a little more photos, so that everyone is also profound about the FE 70-200mm F2.8 GM OSS. In fact, I myself do not love to pass so many photos, very tired. But still insist on sending, old rules, sample time:
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F4.0 ISO100 70mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F4.0 ISO100 70mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F4.0 ISO100 70mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F4.0 ISO100 70mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F4.0 ISO100 70mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F2.8 ISO100 126mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F2.8 ISO100 200mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F2.8 ISO100 140mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/10S F2.8 ISO100 117mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F2.8 ISO100 127mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F5.0 ISO100 70mm
SONY ILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F5.0 ISO200 70mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F5.0 ISO100 70mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F5.0 ISO100 70mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/250S F2.8 ISO100 200mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/1000S F2.8 ISO3200 171mm
SONYILCE-9 + FE 70-200mm F2.8 GM OSS 1/1250S F2.8 ISO3200 144mm
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